The Presence of Spirals
Date(s) & Time(s): Sat, Jun 10, 3:00 PM
Duration: 90 mins w/out intermission
Location: 3316 24th St, SF, CA 94110
Venue: Dance Mission
$20 - $40
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Audience members and participants are encouraged to wear a mask to protect against COVID-19. We ask people who have a temperature or feel unwell to not attend.
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Production DetailsThe Presence of Spirals
Following the inherent spiral pathways within the body, this workshop develops the efficiency and connective strength of our tissues. With observation, the beauty of our construction emerges. Exercises will focus on winding and unwinding the tissues with particular attention given to the spine and the various connections running through the torso to the arms and legs. Movement drills will establish non-linear somatic patterning, expanding the perception of the joints beyond mere hinges. Later, we’ll investigate these patterns in relation to dance and everyday movements. We aim to produce elastic, tensile strength in our expression, whether quotidian or flamboyant.Shinichi Iova-Koga
Shinichi serves as the Artistic Director of the physical theater and dance company inkBoat, founded by Shinichi in 1998. He has toured in North America, Europe, South Korea and Japan, often collaborating with local artists in museums, theaters, studios and site-specific locations. He is the editor of the book “95 Rituals,” a tribute to Anna Halprin, and a contributing writer to “The Routledge Companion to Butoh Performance.” He is featured in the book “Butoh America.” Shinichi teaches annually at ImpulsTanz in Vienna. He has served as a full time core faculty member of the MFA Dance program at Mills College in Oakland, California, from 2009 to 2017. He has taught Composition in the Arts for MFA students at UC Davis in 2014 and 2022. He has taught workshops at Bath University (U.K.), UC Riverside, UC Berkeley, Lucerne University of Applied Sciences and Arts (Switzerland), Stanford University, SF State University, Experimental Theater Wing at NYU/Tisch, Texas Women’s University, University of Nevada, Reno, and others. He co-teaches the workshop “Dance on Land” and multi-month workshops with his wife Dana Iova-Koga in California, Vermont, Switzerland and Portugal. Since 2015, Shinichi’s career as an international performer has merged with his Daoist Internal Arts study. Qi Gong, Dao Yin, Yang Sheng Gong and Nei Gong are part of his daily practice. He is credentialed to teach through Lotus Nei Gong International and is a San Feng Pai lineage holder with Wudang West. His approach to the negotiation between bodies continues to develop through Aikido (with teachers Jan Nevelius, Jorma Lily and Cornelius Jaeger-Herzog). Ruth Zaporah has been his continuing mentor since 2000. Her method of improvisational skill building is called Action Theater (Shinichi is an Authorized Action Theater™ Teacher). Significant past mentors are Ralph Lemon, who instigated ideas about “anti-dance,” and Anna Halprin, who encouraged community building through the art-making process. Shinichi served as Anna’s associate director for numerous projects from 2009-2012 and co-taught dances for men with her until 2018. Shinichi danced with Butoh artists Hiroko and Koichi Tamano (1991-1995), Yumiko Yoshioka (1996 -2004) and collaborated with Ko Murobushi (2008 - 2012). Another notable collaborator is Ann Carlson, who has worked with inkBoat from 2019 - present. Additionally, he has co-created numerous performances with music groups Rova Saxophone Quartet and Sleepytime Gorilla Museum. As a guest Director, he has created stage works with AXIS Dance Company and ODC Dance Company. As a dancer, he has been a member of the Russian Dance Theater company Do Theatre (2003-2005) and Larry Reed’s Shadowlight Theater (1993-1997). inkBoat and Shinichi have been honored by awards and grants, including 5 Bay Area “Izzie” awards and grants from NEA, MAP fund, New England Foundation for the Arts, California Arts Council, Rainin Foundation, Creative Work Fund, and Gerbode Foundation. Shinichi works primarily in San Francisco, New York and Luzern, Switzerland. Shinichi’s work has been described as a mix of “humor, introspection, playfulness and memory with fearless gestures and thoughtfully crafted drama” (Mary Ellen Hunt, SF Chronicle) and has been said to “expertly mine the dark vein of absurdist humor that infiltrates Butoh” (Allen Ulrich, SF Chronicle).